In the year 

1835: Secularization, actual suspension of the Agustinos, in the Sanctuary of Regla. The Virgin is transferred through the village to the Parish. 

1852: Restoration and return of the Virgin to the ancient Sanctuary because of the initiative of the Duke of Montpensier.

1867: With the estimate of 2,450,000 reales the construction of The Lighthouse of Chipiona was completed. It was build upon the promontory called the Point of the Dog and has a height of 68 meters above sea level.

1882: The Franciscans, lead by Father Lerchundi, arrived at the Sanctuary of Regla to make up for the lose of the Agustinos.

Chipiona was at times the bathing place of the Dukes of Montpensier, and was visited in the summer by their daughter Maria Mercedes, wife of Alfonso XII. 

During the storms of 1895, the waves caused various erosions in the coast at the foot of the Monastery of Regla. The consequences of those erosions gave to the discovery of various quadrangular tombs, in those were discovered skeletons, money, glass's and other Roman objects of interest. 

The Sanctuary of Our Lady of Regla dates to the XIV century, and was constructed on top of the foundation of the fortress of the Ponce de León's. It was abandoned from the alienation of Mendizábal until the year 1882, when by the help of the Duke of Montpensier, a community of Franciscan missionary's were installed in the ruins of the monastery. 

Some of the primitive architecture that is conserved are the walls of the cloister, restored in the XVII century and a precious ajimez formed by two arch's of ojiva. Also from this epoch is a pedestal decorated by tiles from Triana.

According to legend the image of Our lady of Regla arrived in Chipiona in the V century. Some believe it was sculptured in the epoch of the apostles, and was the work of the evangelist San Lucar. San Pablo then delivered it to San Timoteo and with the passing of the century's ended in the hands of San Agustín. Others consider it a work of sculptors from Tagaste for San Agustín to have in his oratory. The dark color of her face comes from the earthly colors in various layers of plaster. The skullcap on her head and the Hieratic attitude that is produced by the curving of the eyebrows, eyes and mouth has helped to form the legend that brings together this image with Egyptian art with profound oriental influence.